I choreographed this thought-provoking and compelling dance work titled “Flight of Icarus” back in 1989. It was a revolutionary piece aimed at challenging and provoking audiences. In particular, those who held a conventional belief that dance should primarily be aesthetically pleasing and devoid of any socio-political relevance. This was my first significant step in using dance as activism.
Watch the Performance of Flight of Icarus
Credits
Choreography: Alexander Westerman
Composer: Joshua Winget
Filmed live: Ithaca College December 7th, 1989
Table of contents
History of Flight of Icarus
At its core, “Flight of Icarus” was born out of a deep desire to disrupt the status quo and confront the prevailing norms of the dance world. It used dance as activism. Additionally, it served as a powerful protest against the imminent threat faced by the arts community. This threat was caused by the United States Senate’s decision to defund The National Endowment for the Arts (NEA) in 1990. This pivotal event triggered an enduring dialogue surrounding the importance of arts funding. It also highlighted the role of art in society.
The piece sought to bridge the gap between art and activism by employing dance as a medium for expressing dissent and solidarity. It embodied dance as activism in its execution. This was achieved through intricate choreography, evocative movement sequences, and contrasting elements. “Flight of Icarus” challenged the audience to question their preconceived notions about the purpose and potential of dance.
Icarus and the Sun – Metaphor
The metaphorical narrative of Icarus, the figure from Greek mythology who dared to fly too close to the sun, served as a poignant parallel to the challenges faced by artists. These challenges occur in a society that often undervalues their contributions. The soaring leaps and daring movements of the dancers represented the audacity and ambition of artists striving to reach new heights. Meanwhile, the inevitable descent symbolized the risks and consequences they face. These occur when challenging the status quo, much like activists in their journey.
Despite being created over two decades ago, the resonance and relevance of “Flight of Icarus” continue to reverberate in today’s cultural landscape. Unfortunately, the NEA, along with other arts organizations, are once again facing threats to their funding and existence. This ongoing struggle using dance as activism underscores the urgent need to recognize and support the valuable role. That art plays in shaping society.
Activism and Dance – Strange Bedfellows
As we witness a resurgence in public activism and a renewed call for social justice, “Flight of Icarus” stands as a testament to the enduring power of art. It provokes, inspires, and effects change, embodying dance as activism. This piece serves as a reminder that artists have a crucial role to play. They foster a society that values and celebrates creativity, diversity, and expression.
Let us not forget the lessons of the past as we strive for a future of dance as activism. In this future, the arts are cherished, protected, and given the platform they truly deserve.
In his budget outline submitted to Congress on March 16, 2017, President Trump proposed a significant change in the allocation of federal funds. He suggested eliminating all funding for the National Endowment for the Arts (NEA). This move has sparked heated debates and discussions among policymakers, artists, and art lovers across the nation.
The NEA, an independent agency of the federal government, has long been a key supporter of arts and culture in America. It provides grants and funding to various artistic organizations, including theaters, museums, dance companies, and individual artists. The NEA’s funding is instrumental in supporting local communities. It fosters creativity and expands access to the arts for people of all backgrounds.
Dance is Inherently Protest
While supporters of the budget proposal argue that cutting funding for the NEA would help reduce government spending and allow for a more streamlined budget, opponents argue against it. They believe such a move would have detrimental effects on the artistic landscape of the country. They highlight the importance of the NEA in promoting diversity. It preserves cultural heritage and stimulates economic growth through the arts.
The elimination of NEA funding has faced criticism from many prominent figures in the arts community. They argue that without federal support, many arts organizations would struggle to survive. This would lead to a significant reduction in artistic programming, job losses, and a decline in the overall cultural vibrancy of the nation.
It is important to note that the president’s proposed budget outline is subject to review and approval by Congress. While the elimination of NEA funding may appear in the initial budget proposal, it does not guarantee implementation. The final budget is a result of a complex negotiation process in which lawmakers consider multiple factors and priorities.
The fate of NEA funding ultimately rests in the hands of Congress. They will carefully examine the potential consequences and benefits of such a decision. As the debate continues, the future of federal support for the arts remains uncertain. This situation leaves many in the arts community anxiously awaiting the final decision.
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I still can’t believe it was so long ago. I can’t believe we’re still wrestling with the same issues in Congress and in our dining rooms.